| Source |
Date |
Quote |
| Bucks Free Press |
March
2007 |
Album Review: I Can See a Boat ... It No Longer Floats
"[Dayglo Fishermen] do their best to challenge the listener with leaps from atmospheric prog rock to electro-music pop to trance-induced synthesiser experiments."
"It's multi-layered and slightly pretentious but overall a nice album."
"If you want to imagine yourself floating around on an endless ocean in a tiny nutshell of a boat, get this album." |
| Future Music |
January
2007 |
Album Review: I Can See a Boat ... It No Longer Floats
"The guitar sound is really good." |
| Sound On Sound |
November
2004 |
Album Review: Queen of the Sunset
City
"The instrumental backing to all of these tracks
sounds good in an '80s sort of way."
"[Ginny Owens] voice is appealing and somehow very
English, and people no doubt draw comparisons to Kate Bush when they hear
her sing." |
| Future Music |
August
2004 |
Album Review: Queen of the Sunset
City
"Ambient Life is a pretty polished piece
of work with some great subtle guitar licks, and a great main pad sound."
"There are some polished tracks here that demonstrate
a great deal of potential." |
| Bucks Free Press |
November 2003 |
Album Review: Queen of the Sunset
City
"It is rock with an edge, provided by atmospheric
synth and lyrics."
"A melange of sounds and noises, synths and guitar -
but there is a structure to it. The more you listen the more you start
to appreciate the craft behind the songs."
"Being together for so long has given the band the confidence
to keep creating a distinctive and memorable sound that is refreshing
but deep enough to offer something new with every listen." |
| David Hughes, Infection Music |
September 2003 |
Album Review: Queen of the Sunset
City
"The album sounds really good and very polished and there's
more than enough going on to keep the average punter listening."
"The artwork looks stunning." |
Future Music |
January
2002 |
Album Review: Comet Nerdlinger
"Sorry, but the drum machine sounds rigid and stilted,
the vocals are hard to distinguish and... well, do we really have to go
on?" |
NME |
August
2001 |
Album Review: Comet Nerdlinger
"Dayglo Fishermen proceed to undertake the most uncinematic
of excursions."
"The music is sub-standard Duran Duran drivel, while
the vocals are weedy and passionless." |
Bucks Examiner |
August
2001 |
Band Appraisal
"Dayglo Fishermen have their sights set on the big time." |
Buckinghamshire Advertiser |
August
2001 |
Band Appraisal
"Gift of the gab will take them to the top of the charts." |
Bucks Free Press |
July
2001 |
Album Review: Comet Nerdlinger
"Dayglo Fishermen have kept the excitement levels high
with their unique, forward-thinking sound."
"A feast of all things abstract which, when combined,
serve to fit in with even the mainstream's consciousness." |
Bucks Free Press |
November
1998 |
Album Review: Painting Aliens
"A promising release from a trio that seems to know exactly
what it wants and is heading towards it in a big way."
"The opening track tells of an alien encounter and cleverly
mixes rock guitar and techno bleeps and an ever-present keyboard wall
of sound." |
Bucks Free Press |
October
1997 |
Album Review: Space Dog
"The arrangements are interesting and extremely effective,
creating a mood best described as the aural equivalent of time-lapse photography." |
Music & Media |
February
1997 |
Album Review: Big Spoon - voted
pick of the week
"The Dayglo Fishermen (DGF) have a way of throwing ambient,
new wave and psychedelia into a melting pot without causing nausea." |
|
Melody Maker |
January
1997 |
Album Review: Big Spoon
"The darker powers of electronic art." |
|
Hexham Courant |
January
1994 |
Gig Review: Moot Hall, Hexham 22/12/93
"Dayglo Fishermen, one of Hexham's rare species of group,
brought a unique and well-orchestrated sound to the town."
"They play their instruments well, and the songs are
well polished, original and atmospheric." |
|
Hexham Courant |
October
1993 |
Album Review: The Dayglo Fishermen
"An engineered piece of chilling, synthetic sound with
a distance and apparent sophistication that rock could never manage." |
Evening Chronicle,
Newcastle Upon Tyne |
October
1993 |
Album Review: The Dayglo Fishermen
"Reminiscent in style and quality of Tears for Fears
at their best." |
Hexham Courant |
January
1993 |
Album Review: What the Hell
"It was like a Lynch film - arty, with nothing underneath."
"As uptight as one of Bryan Ferry's loose silky shirts." |
The Crack,
Newcastle Upon Tyne |
February
1992 |
Album Review: And So It Is
"An excellent adaptation of the latest techno approach
with traditional melody." |
The Crack,
Newcastle Upon Tyne |
October
1991 |
Album Review: Fresh Gin
"A bleak aural landscape."
"some of the most tedious, humourless music ever to land
on the office stereo." |
The Crack,
Newcastle Upon Tyne |
October
1990 |
Album Review: Drenched
"This is the ideal aural backdrop for that last strong
one before beddy-byes. Guaranteed to put the cat into a deep trance." |
|
Hexham Courant |
October
1990 |
Album Review: Drenched
"They may be 'Drenched' - but definitely not wet, wet,
wet!"
"The lads from Hexham have produced a very professional
album." |
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